Three Articles Worth Reading
I am suffering from a rotten head cold and so have popped in only to share links to three articles well worth the effort of reading, even when your head feels more stuffed with cotton batting than usual:
1) In this very interesting article by Clive Thompson (found via Light Reading), network-theory scientist Don Watts challenges the idea behind Malcolm Gladwell's The Tipping Point. Watts's research has demonstrated that Influentials -- a small group of highly connected, early adopting people -- are not necessarily as crucial as one might intuit and that trends happen in a much more random way. According to Watts, trends spread less like diseases and more like forest fires:
There are thousands a year, but only a few become roaring monsters. That's because in those rare situations, the landscape was ripe: sparse rain, dry woods, badly equipped fire departments. If these conditions exist, any old match will do. "And nobody," Watts says wryly, "will go around talking about the exceptional properties of the spark that started the fire."
2) I very much enjoyed this article on characters by the critic James Wood. (I'm not sure where I found the link but it was probably on Maud.) In it, Wood examines E.M. Forster's preference for round vs. flat characters and demonstrates that supposedly flat characters can actually be quite moving and memorable ones. Wood is clearly brilliant -- he absolutely knows his stuff -- but I don't think I've read a single piece by him in which he hasn't made some remark that puts me off. This time it was:
Those who believe too much [in characters] have an iron set of prejudices about what characters are: we should get to "know" them; they should not be "stereotypes", they should "grow" and "develop"; and they should be nice. So they should be pretty much like us. A glance at the thousand of foolish "reader reviews" on Amazon, with their complaints about "dislikeable characters", confirms a contagion of moralising niceness. Again and again, in book clubs up and down the country, novels are denounced because some feeble reader "couldn't find any characters to identify with", or "didn't think that any of the characters 'grow'".
It's not that he's wrong -- of course he's right -- it's that he's rude about it. I know I'm being ridiculously hyper-sensitive about this. But because he's so clever, it feels so much more inappropriate than it would coming from anyone else. Thank god there are thousands of "feeble" readers out there bothering with books at all, however "foolish" they are when they are trying to articulate why a particular book didn't work for them. Wood goes on to explain what these people probably mean, even if they don't yet see it themselves:
I think that novels tend to fail not when the characters are not vivid or "deep" or "rounded" enough, but when the novel in question has failed to teach us how to adapt to its conventions, has failed to manage a specific hunger for its own characters, its own reality level. In such cases, our appetite is quickly disappointed, and surges wildly in excess of what we are provided, and we tend to blame the author, unfairly, for not giving us enough -- the characters we complain, are not alive or round or free enough.
The rest of the article is just as enlightening -- or clarifying, if you've already given the matter some thought -- and I think I'm going to have to get his new book How Fiction Works. I just hope he hasn't sprinkled the text too liberally with pointlessly disdainful remarks about the common reader. It's not like he needs to make them in order to demonstrate his superiority. His ideas alone do that. And surely he's hoping -- or at least his publisher is -- that some of us common readers are going to buy that book. Otherwise he might as well have printed a few photocopies and handed them round to the dozen or so folks out there who are reading at his level. He probably knows them all personally anyway.
3) And finally, here's Confessions of a Mommy Blogger by Catherine Newman. I love this woman's hilarious and poignant writing. You could argue that she's not exactly a blogger -- her pieces appear weekly on Wondertime magazine's site, I'm assuming she's paid for them, and they're much more well-thought-out that the kinds of posts you'll find on even the very best blogs. Dalai Mama is more like the kind of parenting column you might have found in a national magazine or newspaper ten or twenty years ago. And I imagine she'd be a household name if that were the case. Except that parenting blogs have perhaps, by their ubiquity, put an end to that sort of thing. Whatever you call it, whenever I want to read another woman writing about her children, this is the first place I go. She also has a very good book called Waiting for Birdy if, like me, you find you can't get enough of her.


