I've just finished a binge on Shirley Jackson's stuff. I love both her lighthearted family memoirs and her short stories and novels. She does creepy extraordinarily well -- I do most of my reading in bed, next to the sleeping Sylvie and Luke, and I finally had to restrict The Haunting of Hill House
to daylight hours. I was starting to imagine that our house was haunted, especially the other night when I got up at 4am to feed Sylvie and heard disturbing crooning and radio-static noises coming from somewhere downstairs. I roused David and we both crept through the eerie dark looking for the source. It turned out to be a musical birthday candle we'd had on David's birthday cake earlier that day -- it was singing its death throes in the garbage can.
I gather from Jackson's biography that much of her supposed non-fiction writing about her real life was fictionalized. I suppose it's hard for a good storyteller not to embellish. But those who do likewise when they write about their kids should take note of this, from Private Demons: The Life of Shirley Jackson
:
Respect for privacy, in fact, was one of the basic tenets of the Hyman household. The angriest Sally and Joanne ever saw their father was the time they sneaked down during a party to tape-record him doing one of his wilder songs. "It was very dramatic," said Joanne. "He dragged us out, took the tape and flung it. It was a point of honor. The lesson wasn't 'Don't mess with your parents'; it was 'You invaded my civil freedom.'"
Yet at the same time, Shirley was violating her family's privacy all along, in one way -- by writing about them. Perhaps because she sensed this, she often involved her daughters in the writing process, particularly when she was planning a family story. She would sit on her stool in the corner of the large kitchen, by the stove, her ashtray filled with Pall Mall butts, her giant coffee cup or her glass next to her on the counter, occasionally stirring a pot, and run ideas by them. She listened carefully to their suggestions, often incorporating them. As a result, they have a certain fondness for these stories that is not shared by their brothers. But even Joanne has some ambivalence:
"Do you have any idea what it's like being nine years old and not knowing what you remember, what you were told, and what you read? I had no trouble disassociating myself from the stuff that wasn't about us. But the stuff about us -- I sort of knew it wasn't the official family version and sort of knew some of that wasn't what I actually remembered. It turned on an automatic narrative voice in my head that I haven't gotten rid of yet."